What is Ben Foster's Net Worth?

Ben Foster is an American actor who has a net worth of $12 million. Ben Foster is best known for his performances in such films as “X-Men: The Last Stand,” “3:10 to Yuma,” “The Messenger,” “Leave No Trace,” and “Hell or High Water.” For his work in the lattermost film, he won an Independent Spirit Award for Best Supporting Male. Foster has also appeared on television in shows including “Flash Forward,” “Freaks and Geeks,” and “Six Feet Under.”


Ben Foster was born on October 29, 1980 in Boston, Massachusetts to restaurant owners Gillian and Steven. He has a younger brother named Jon, who also acts. Foster is of Russian descent, and was raised Jewish. When he was four, he moved with his family to Fairfield, Iowa after their home in Boston was broken into. As a young adult there, Foster attended the local college Maharishi University of Management.

Personal Life

For a while, Foster was in a relationship with German actress Antje Traue, with whom he costarred in the film “Pandorum.” The two lived together in Los Angeles until their relationship ended in 2010. Subsequently, Foster began dating actress Robin Wright; they got engaged in early 2014, but called it off by the end of the year. The two got engaged again in early 2015, and called it off again shortly after. The next year, Foster got engaged to actress Laura Prepon, with whom he has a daughter and a son. The couple married in June of 2018.

Ben Foster Quick Facts

What is the net worth of Ben Foster? What is his zodiac sign? Here is Ben Foster in a nutshell:

Ben Foster Overview
Net Worth$12 Million
Date of BirthOctober 29, 1980 (age 42 years)
Zodiac SignScorpio
Height5 ft 8 in (1.75 m)
ProfessionActor, Film Producer

Quotes that Inspire by Ben Foster

Many are probably wondering about the foundation behind Ben Foster's success and wealth. Below we have listed some of the actor's quotes that will get you in the mindset to pursue your financial success.

I'm learning not to hold on so tightly to my solitude. It's not an economical way to work. A driver would call it 'white-knuckling.' If you're holding on to the wheel so tightly, it's gonna lock up your driving. Releasing myself from trying to control everything has been part of growing up.

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It's okay to fail 'cause there's no failure, you're just informing the richness of your experience, and that's - that's the greatest gift you can possibly give yourself.

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We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.

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Every job is a blessing. Everyone has to take into account what is available. Are you paying rent, who do you get to work with? There are a lot of variables in the job. What I'm drawn to is things that I don't completely understand maybe, and want to get a better feel for it.

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I would come home from school every Wednesday, order pizza, and watch 'X-Files.' I was devoted.

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